Showing posts with label MattWigzell. Show all posts
Showing posts with label MattWigzell. Show all posts

Tuesday, 25 April 2017

Ella Fitzgerald: First Lady of Song

Matt Wigzell marks the centenary of the Queen of Jazz, and highlights resources both by and about her available from the Library.


Ella Fitzgerald, November 1946, by William P. Gottlieb
From Wikimedia Commons
This month marks the 100th anniversary of the birth of Ella Fitzgerald, the American jazz singer known as the First Lady of Song. She had a prolific and highly successful career, recording over 200 albums and 2,000 songs.

She began her career aged 17 with an appearance at the renowned Apollo Theater in Harlem, New York. Spotted by drummer and bandleader Chick Webb, Ella joined the band as singer, eventually taking over the role as bandleader after Webb's death in 1939. She rose to prominence with the recording of a version of the nursery rhyme "A-Tisket, A-Tasket".

She began a solo career in 1942, and formed a successful partnership with manager and producer Norman Granz. A series of Songbooks, comprising cover versions of other jazz musicians' songs proved tremendously popular, as did her many live performances. One of the most famous of these was the 1960 performance in Berlin, for which Ella received two Grammy Awards, and included an improvised performance of "Mack the Knife", after forgetting the lyrics. A number of other live performances were recorded and released as albums, such as the 1961/62 recordings of Twelve Nights in Hollywood.

The University Library has access to the Jazz Music Library, a large online collection of jazz songs. Many of Ella Fitzgerald's songs can be heard on the platform, including her collaborations with, amongst others, the famous bandleaders Duke Ellington and Count Basie, as well as trumpeter Louis Armstrong.

You can also read about Ella's life and career in her biography by Stuart Nicholson, held in the Music section of the Library.

Friday, 7 October 2016

Flying squirrels and medieval knights: the John Heath Collection

Matthew Wigzell explores the recently catalogues John Heath Collection



Tales of a medieval knight, the writings of a Swiss pseudo-scientist, and an illustration of the hooded flying squirrel. There may seem to be no apparent link, but all of these can be found in a wonderful new collection of books recently added to the Library's Special Collections.

The collection was amassed by former British diplomat Sir John Heath (1922-2009), who acquired examples of books illustrated by his ancestors, including the well-known engraver James Heath (1757–1834). The books were left to the University in Sir John's will and have now been fully catalogued and made available for study.

The collection, which is a wonderful glimpse into the late 18th and early 19th centuries, has books on a range of different subjects, with a particular focus on literature, early travel writing, and scientific subjects such as zoology (with some amazing illustrations of exotic animals).

As an added bonus, many of the items have been ornately bound, making this a research resource with great potential for those interested in the art of fine binding, antique book illustration, engravings and portraits.

We have also been recording unique information about items in the collection, including the presence of bookplates, signatures and other provenance information. We have a full set of Bell's Poets of Great Britain passed down through three generations of the Kirby family for example, and many of the books in the collection have personal reminders of former owners.

I have picked out three striking books from the collection which came cross my desk during the cataloguing process.

First up is The history of the valiant knight Arthur of Little Britain: a romance of chivalry. A medieval epic originally written in French, the book follows the hero Arthur doing battle with knights, dragons and other beasts, storming castles, and foiling dastardly plots at the royal court (think Game of Thrones written in Middle English). More striking though are the image plates; beautiful hand coloured book illustrations which show scenes from the text. They have some great details, and some of the battle scenes are surprisingly graphic - seriously, take a look.

My second selection is an odd book on physiognomy - the 'science' of assessing a person's character from physical characteristics, particularly the face. Essays on Physiognomy was written by Johann Caspar Lavater, a Swiss writer and philosopher, and gained something of a cult following thereafter. Containing a series of engraved portraits, the accompanying text describes the character of each portrait, and analysis of different parts of the face.

One unfortunate chap (pictured left) is characterised as having a face showing "Corrupt rudeness, and malignity, contemning morals. Natural power degenerates into obstinacy, in the forehead. Affection is far distant from this countenance. Insensibility usurps the place of courage, and meanness the seat of heroism…. The thing most pitiable in this countenance is an expression of the conscious want of power to acquire the degree of malignity it may wish, or affect to possess".

Even animals don't escape scorn. The hammer-head shark being "a monster, 2. How infinitely distant from all that can be called graceful, lovely, or agreeable! The arched mouth, with the pointed teeth, how senseless, intractable, and void of passion or feeling; devouring without pleasure or satisfaction! How inexpressibly stupid is the mouth of 3, especially in its relative proportion to the eye!".



The final example comes from a multi-volume set, General zoology or systematic natural history, by George Shaw. The set has some brilliant early 19th Century illustrations and descriptions of exotic animals, manly only recently discovered by explorers in Australia. The books describe a wide-range of mammals, birds, reptiles, fishes and reflect the growing interest in zoology and recording of the natural world. My favourite is the truly terrifying Hooded Flying Squirrel.

There is also a wonderful anecdote about the platypus, and Shaw's (who was keeper of the natural history department at the British Museum) initial reluctance to include it in the book. The specimen at the museum was "the only one which had been seen, [and] it was impossible not to entertain some distant doubts as to the genuine nature of the animal … and there might still have been practiced some arts of deception in its structure … Two more specimens, however, having been very lately sent over from New Holland, the suspicions before mentioned are now completely dissipated".

All of the books in the Heath collection can be accessed through the Borthwick Institute for Archives, and can be found in the Library catalogue. From the Advanced Search option, you can perform a provenance search for John Heath.

Hopefully researchers and students find them as interesting to study as we did to catalogue.



All photos taken by Paul Shields.

Monday, 24 August 2015

Printing and pacifism - the Sessions Book Trust collection

Matt Wigzell explores some of the highlights in the Sessions Book Trust collection, now available as part of the University Library’s Special Collections.



Detail from Desk book for users of printing
(William Sessions Limited, 1900)
Comprising of over 2,000 items, the Sessions Book Trust collection contains examples of nearly all the books printed by the local printing and publishing company Sessions of York. The material in the collection particularly covers local history, pacifism, the history of printing, and books relating to the Society of Friends, as well as having items printed for local authors and businesses.

The firm was originally founded in 1811 by William Alexander, who opened a bookshop in Castlegate. Included in the collection are many books printed and sold by Alexander. Among these are several catalogues containing the books, maps, prints, games and other varied items for sale in his shop. They are a fascinating insight into the activities of a bookseller and literary taste nearly 200 years ago.

Being a devout Quaker, many of the books directly published by William Alexander were of a religious nature. One of the most unusual items is the Pentateuch, or first five books of the Bible. Certain passages deemed unsuitable for reading aloud to mixed audiences were removed and printed underneath the main text in italics – the preface lamenting “such passages not being couched in terms suited to the present state of refinement”.

Alexander’s business was passed through the hands of several more Quaker owners before being purchased by William Sessions in 1865. Continuing to print and publish in the family’s hands for nearly 150 years, Sessions kept a library of the items they produced which has been gifted to the University.

Probably the most charming is a children’s book, printed around 1945-46. Containing beautiful full-page colour illustrations with accompanying rhymes, it also has a hand-written note from the printers, hinting that Sessions were chosen as they “could offer precious paper!” in an era of scarcity and rationing.

Cover and detail from Twelve fully illustrated cuddle-up tales (B.C.M. Wadger, 1945)

There is also an example of a printing handbook, produced by the company and distributed to potential customers. A cross between a user-guide and brochure, it contains examples of the different typefaces, borders and illustrations available, and is a great reference resource for the printing process in the early 1900’s.

Cover of Desk book for users of printing
(York: William Sessions Limited, 1900)
Sessions produced trade literature for local companies, including this list for Raimes & Co., wholesale chemists based at Micklegate House in York. The catalogue contains prices for medicines and other 1930’s pharmaceutical products, many of which had overstated medicinal benefits. There are some familiar products listed but some which would probably no longer be recommended, such as the Mexican Hair Renewer and the less-than effective sounding Sweeting’s Toothache Elixir.

The final example is the most unusual. Containing six 3D illustrations, the guide to Painting for Welfare and Efficiency has examples of appropriate colour schemes for a range of environments. These include a cinema foyer, lounge, factory, classroom, hospital and cocktail bar, and show how to create a harmonious and relaxed atmosphere in each.

Detail from Painting for welfare and efficiency
(Smith and Walton Ltd, 1949) 
The majority of the books in this fascinating collection are available through the Borthwick Institute for Archives and can be discovered through YorSearch, the Library catalogue. A small selection, including items described here, will appear as part of an exhibition on York printing in early September on the ground floor of the Harry Fairhurst Building.

Thursday, 11 December 2014

L.S. Lowry in the Library's Art Gallery Gift collection

More gems unearthed in the Art Gallery Gift collection



We have now added over two and a half thousand items to the Library's stock from the York Art Gallery gift collection. Among my favourites are a collection of books detailing the works of Lancashire-born artist L. S. Lowry, best-known for painting industrial and urban landscapes of the North-West of England.

Cover / A memorial exhibition of paintings & drawings by L. S. Lowry, R.A., 20th May-3rd July 1976 
Lefevre Gallery, 1976

Lowry worked as a rent-collector in Manchester, wandering the streets he was fascinated with the urban world around him and its inhabitants. Many of his city landscape pictures featured crowds of enigmatic figures, barely distinguishable from one another, and reflected the complex and unresolved relationship between the people and the city. The image below, called 'Old Property', is a typical example of his style. The painting can be found on page 17 of A memorial exhibition of paintings & drawings by L. S. Lowry, R.A., 20th May-3rd July 1976Lefevre Gallery, 1976.

Old Property (Main Street Tweedmouth) on the Lowry Trail in Berwick upon Tweed.
Reproduced under a Creative Commons licence by permission of the Europe a la Carte blog

Other scenes featured desolate wastelands; particularly brooding were those painted in the 1930s, a period of unhappiness and growing isolation for Lowry as he took care of his bedridden mother. Out of this period also came one of Lowry's most striking and disturbing works. The Head of a Man (1938) is a disconcerting portrait full of frustration and despair, a dark illustration of the artist's mental state at the time (page 78 in the  Lefevre Gallery book).

The Copley Prize December Winner, Lowry Gallery. Supervisor Jacob holds up Daniel's interpretation of Head of a Man (With Red Eyes) 
in front of LS Lowry's original. Reproduced under a Creative Commons licence.
Nonetheless, L. S. Lowry was a prolific and varied artist, regarded as one of the most important 20th Century British painters. To learn more you can find the books about him in the collection by keyword searching for 'Lowry York City Art Gallery' using the University Library catalogue here:


And York has a direct local connection with Lowry too. According to the York Art Gallery's website:
In 1952 [we] commissioned L.S. Lowry to paint a picture of York. He chose to paint Clifford’s Tower and his painting is now one of the most important modern works of art in the gallery’s collection. (From 'Lowry in York School Challenge')
You can view his painting online here:


and the rest of the Gallery's oil paintings can be seen here:


They're currently running a competition for schoolchildren to use his painting of Clifford's Tower as inspiration to create a new artwork. The winning entries will be displayed in York Art Gallery when it reopens in 2015.

And finally, here's a photo of the man himself, taken in 1962, contemplating the industrial landscape of Stockport.

Photo Credit: Smabs Sputzer via Compfight cc







Monday, 4 August 2014

Parmigianino in the York City Art Gallery

Art Gallery Gift Collection cataloguer Matt Wigzell unearths more treasure.


Another highlight from the York City Art Gallery collection emerges, with several books on 16th Century Italian artist Parmigianino ("the little one from Parma") recently added to stock. In particular, The Art of Parmigianino by David Franklin (LJ 9.5 MAZ/F Quarto) has many great images of his work, and interesting details of his turbulent life.

Madonna of the Long Neck,
from 
The Art of Parmigianino, Franklin, D.  p. 22
He travelled Italy to avoid the frequent wars that raged during his lifetime, and was forced to flee Rome after its sacking by Imperial forces in 1527.

He spent his last days in exile from his native Parma, having been disgraced and imprisoned for defaulting on an agreement on a major commission for the Sanctuary of Santa Maria della Steccata church. There are also rumours of an increasing obsession with alchemy in his later years.

However, Parmigianino was a prolific artist and a student of Raphael, creating many memorable paintings, drawings and etchings. One of his most famous works is the 'The Madonna of the Long Neck' (pictured right), exemplifying the artist's characteristic elongation of form.

Flicking through the book, I also discovered Parmigianino has a slight York connection. One of his paintings 'Portrait of a Man with a Book' (pictured below) is owned by York Art Gallery, and is currently on display with three other York-owned paintings in the National Gallery in London.

Once the refurbishment is complete, Parmigianino's man and his book should once more gaze down from the walls of York City Art Gallery.

Portrait of a Man with a Book, from The Art of Parmigianino, Franklin, D.  p. 97

Thursday, 19 June 2014

Sketching York Minster by torchlight

Matt Wigzell explores the York Art Gallery collection.

While flicking through a lovely book from the York Art Gallery gift collection a familiar scene caught the eye. From Dennis Flanders' Britannia comes a stunning image of York Minster illuminated against the night sky.

p. 67 from Dennis Flanders' Britannia Stocksfield : Oriel, 1984
Click to enlarge.
Flanders travelled Britain, drawing historic locations and buildings, with a particular passion for churches, cathedrals and castles. While visiting York, he worked by torchlight to sketch this striking picture of the west front of York Minster, and left us wondering about the shadowy figure at the end of the street.

The book provides a fascinating record of the great, the grand and the slightly quaint architectural landscapes of Britain.

For further resources on art and architecture, try exploring the E-resources Guide through the catalogue.