By Alex Jubb
The current exhibition in the cases in the Harry Fairhurst corridor at the University of York Library tells the story of the road to Indian independence. The exhibition uses books and archives from the university’s collections and themes include the relationship between coloniser and colonised, and Indian literature. Highlights include a telegram from Gandhi, and books that belonged to former Prime Minister Clement Attlee. The exhibition will remain in the cases until the end of March 2018.
Alex Jubb worked on the India project as an intern in 2017 and has written several blogs (
Aug 2017#1)(
Aug 2017#2)(
Jan 2018) (
Feb 2018) about the collection and the history of the Independence movement. Here he examines the role women played in the Indian Independence.
Role of women in the Indian Independence Movement
An often-untold story
of the Indian independence movement is that of the role of influential Indian
women; whilst stories of Gandhi, the nationalist writer Raja Rao and other
important male political and cultural figureheads are commonplace, members of
the opposite gender are rarely taught about in the history of Indian
independence. Indian women were not only working to gain independence for their
nation, but were seeking enfranchisement and political representation in the
local, national, and international spheres. It is clear that one of the most
important aspects of the movement for independence from a historical point of
view is that it saw mass participation by women; women who had till then been
confined to the domestic sphere.
Women were involved in diverse nationalist activities, both within and outside the home. Within the home women held classes to educate other women and contributed significantly to nationalist literature in the form of articles, poems and propaganda material. Moreover, shelter and nursing care were also provided to nationalist leaders who were in hiding from the British authorities. Furthermore, and most importantly, when the nationalist leadership were in jail, the women took over the leadership roles and provided guidance to the movement. The JB Morrell Library at the University of York holds many important works written by leading female members of the Indian nationalist movement, in addition to works from Indian women from every class in society.
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Anans and Hutheesing's 1949 work. © amazon.co.uk |
Female nationalist authors did not let up in
their campaign for further empowerment following the granting of independence. The
Bride’s Book of Beauty, written by Mulk Raj Anand and Krishna Nehru Hutheesing, was
published in Bombay in 1947. The work served almost as an anthological manual
on ‘feminine
sensibilities, formulas of female beauty, and female social experience’. One critic described the work as the
manifestation of ‘Anand’s affinities with Marxist utopian notions
of egalitarian civilisation and women’s
empowerment’. The authors
developed a perception of Indian female beauty that was adorned with poetry,
prose, folktales and myths. [There is a copy in the exhibition]. It was clear
that Anand and Hutheesing saw independence as a springboard with which to
further the rights of Indian women. Using the very same myths and folklore that
were crucial to creating a nationalist fervour prior to independence in 1947
was essential to Anand and Hutheesing’s
writings.
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Nanda's seminal work. ©amazon.co.uk |
Savitri Devi Nanda
was the author of ‘The City of Two Gateways: The Autobiography of
an Indian Girl’;
Nanda writes every detail of her early life in a typical Hindu aristocratic
family of the pre-partition Punjab. This is an important work that brings to
life the beliefs of many young Indian women both before and after partition.
For example, Nanda writes that one night her father took her
to Lahore to put her in a school; neither her mother nor her grandmother was in
favour of educating her. It was this thirst for freedom and knowledge that was
encountered in the young female nationalists and marked a distinct difference
and a remarkable gulf between this generation and the previous generations
before them. Where Nanda excels is in describing her sense of loss or
separation; this stemmed directly from her strong awareness that she was an
active participant to the exciting events of the national struggle for freedom.
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